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Eva and Franco Mattes will be reenacting "7000 Oaks", the famous conceptual artwork by Joseph Beuys, in Second Life. How cool! But does it have the same environmental meaning when it is in Second Life? Or is each tree another object that actually eats energy and increases the use of planetary resources a la Carr's argument?
Beuys' project begun on March the 16th 1982, at Documenta 7, in Kassel.
His plan called for the planting of seven thousand trees, each paired
with a columnar basalt stone. Beuys intended the Kassel project to be
the first stage in an ongoing scheme of tree planting to be extended
throughout the world as part of a global mission to effect
environmental and social change.
The Mattes are reenacting Beuys' work "7000 Oaks", staging the new
performance in the synthetic world of Second Life. The first virtual
tree and stone were planted on March the 16th 2007, exactly 25 years
after the original oak was planted.
The 7000 basalt stones have been stacked on Mattes' island in Second
Life: Cosmos Island. The diminishing pile of virtual stones will
indicate the progress of the project, which will go on until all 7000
oaks and stones will be placed. Second Life inhabitants will have the
chance to take part to the performance, placing stones and trees in
their lands.
This work is part of Eva and Franco Mattes series of "Synthetic
Performances": reenactment of historical performances inside synthetic
worlds where body, space and time can be completely reinvented. The
series started at the beginning of 2007 and will feature works by
artists like Vito Acconci and Marina Abramovic.
"Joseph Beuys' 7000 Oaks" is commissioned by Centro de Arte Juan
Ismael, Fuerteventura (Canary Islands, Spain), for the exhibition
"Deambulatorios de una jornada, en el principio y el proyecto Tindaya",
curated by Nilo Casares.
Most RecentMost Recommended Comments (2)
at 10:49 on March 22nd, 2007
We need a foto! I'll try to find one.
at 05:30 on August 18th, 2009
personally, I think projects such as this are cynical and do not benefit anyone except the 'artist' riding on the fame of a deceased innovator. '7000 Eichen' is a work about our physical environment and how we can/need to/do continually re-negotiate its spaces. A virtual world needs a different artwork than 7000 oaks (and clearly a different artist than the Beuys-imitators) to heal/question itself the way Beuys did it in Kassel, New York etc.