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Karan Johar has indicted the treatise of marriage as a committment. What comes through pre-dominantly is the notion of a nebulous institution open to a re-definition, where accepted norms have been questioned, vows overlooked, sanctity ignored. All this with a plaintiff ‘cry of the soul’manner of treatment, a refuge in stars gracng the scenes with their glitzy presence and in a sense lending weight to what might have otherwise been a half baked attempt of reviewing an age old institution, which is the foundation of the social fabric of any society
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