Censorship and Art

by plawiuk | November 19, 2006 at 02:50 am
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Very early on, proponents of modernism were demagogued as radicals, anarchists, and communists. This strategy proved spectacularly effective for opponents of modernist designs for public murals, such as Diego Rivera’s infamous Man at the Crossroads. Rivera included an image of Vladimir Lenin that outraged the press and led to the mural’s destruction by angry workmen. Visual Shock: A History of Art Controversies in American Culture

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