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Kowalski adds some excellent commentary to each of these points, including this one:
By the way, was it smooth sailing once our ancient student of writing achieved the goal of all literary hopefuls -- publication, or in the case of dramatists, production? Not quite. "Because there have been poets before him strong in the several species of tragedy, the critics now expect the (writer) to suprass each of his predecessors," Aristotle intones. In other words, 25 centuries ago, authors were already awaiting their reviews with butterflies in their stomachs. Some things never change.
(The Writer magazine article is not available online.)
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Most RecentMost Recommended Comments (1)
at 07:48 on December 6th, 2008
In the "golden age" of French theater in the 17th century, the "classical" playwrights also restricted the action to 24 hours and kept all action offstage (especially violence). An onstage character kept the audience up-to-date on the action through a first-hand report to the other characters.
Corneille caused a real sensation with an onstage slap to the face in "The Cid." Noblemen in the audience rose up and drew swords at such an outrage.