"THE BANDS OF NEW YORK"

by ACE PRESTON | June 27, 2008 at 03:08 am | 760 views | 13 comments

"THE BANDS OF NEW YORK"

For the last year I have been observing this new growing underground Rock & Roll scene emerging on the New York circuit with the likes I haven't seen since the New Wave/Punk Rock era of the late 1970's..  
Gone are many of New York's live music clubs such as Max's Kansas City, The Filmore East, The Electric Circus, The Palladium, The  Mudd Club, The Nursery, Stickball's, The Underground, The U.K., Dancerteria, The Bottom Line, Great Gildersleeve's, La Amour's, C.B.G.B.'s to name a few.

PEOPLE WHO DIED
 
Joey Ramone, Johnny Ramone, Dee Dee Ramone (The Ramones), Eric Carr (KISS), Johnny Thunders, Jerry Nolan, Arthur Kane (The New York Dolls)..all of these native New York musicians have passed away. 

THE BOYS FROM QUEENS

Simon & Garfunkle, KISS, The Ramones, Anthrax...

ROCK AND ROLL PART II:  THE BOWERY BOYS, CHEAP PERFUME, TUFF DARTS, ECHOSTREAM, MAHAVATARA, WUSSY, CHARM SCHOOL, NOIRCEUR

The Clash's concert series at the club called "Bond's" located in Times Square back in 1981 killed Punk Rock. Through The Clash, punk rock had finally reached it's commercial limit unlike The Sex Pistols who were never able to achieve such a level even with Malcolm McLauren's manipulation of the press. The Clash reached it's apex when recording engineer Joe Blaney pumped out two final huge hits "Rock the Casbah" & "Should I Stay or Should I Go" on the "Combat Rock" album...there was no place further for them to go.

Before "The Go Gos" and "The Bangles" there was a real all girl band that could actually play called "Cheap Perfume". Not only was it difficult for an all girl band to co-exist with the boys but the band was as diverse as the various cultures of New York City itself. This alone was an achievement all it's own during the era of the 70's.  I would like to think that what made NYC great was the diversity of it's people and there was no band better established to show New York's true colors and sounds than the legendary "Cheap Perfume".

With the demise of the music scene in the 80's, it was temporarily revived in 1994 by the Alternative Rock movement and of course the short lived "Lilith Fair" concert tour consisting solely of extraordinary female solo artists and female-led bands.


THUNDER FROM THE EAST-ASIAN DAWN

Besides the bands, part of the new underground scene must be accredited to the promoters. At Club Midway there was Frank Woods getting things started with promoting a marathon of bands in every lower east side bar he could find in the dead of autumn but there is one particular promoter named Samurai Zak, the founder of Genki Shock, who found his niche promoting asian bands right here in New York City. I see the baton being passed on to these new bands as the future of music.

The other day I was checking out some bands with Lou Bova, the legendary bass player from the former New York band called "The Fast" when my attention was taken away by this left handed guitarist who approached the stage. In the history of Rock and Roll there have only been two left handed guitarists. This musician, JOff "Lightning" Wilson was different. This was a Bowery Boy. The Bowerie (actual spelling) Boys have a long colorful New York history dating back over a century. One of the first "Gangs of New York" trading in their battle axes for guitars and drums. After listening to the first set I stated to Lou Bova that this was what music was about back in the seventies. This was a real New York band. The past eventually repeats itself especially after a 27 year hiatus but this time without the drugs, without the violence, and without the attitude. The bass player, Kenny Hurricane remained me of the Japanese version of Sid Vicious.  The drummer, Jungle Jim, well, he's Jungle Jim.

When I spoke to JOff "Lightning" Wilson after the set he told me back in the 90's he went to see Johnny Thunders at some upstate gig and brought his girlfriend, Diane, backstage to meet Johnny Thunders. When asked for an autograph instead of signing "To Diane" Johnny wrote "Die Ann". JOff and his girlfriend were aghast when Johnny Thunders died a few weeks later. 

I told JOff Wilson that left handed guitarists have a special quality about them. I spoke to him of those lefty guitarists who came before us such as Jimi Hendrix and those who came after like Kurt Cobain. I told him we must set a positive example for the youth unlike Seattle's Jimi Hendrix & Kurt Cobain whose deaths based on drugs and suicide are controversial. I told JOff that often the courage is not to die but to live and although Ace Preston will never perform again or pick up a guitar, he now has a camera to photograph the many wonderful things the world has to offer so that he may show those pictures to those who can't go and weren't there.
I told him..."Hey, it's okay, It's gonna be alright. I gotta go now....New York has JOff "Lightning" Wilson, Kenny K. Hurricane, and Jungle Jim: "The Bowery Boys". It has Angie, Susan, & Brenda: "Cheap Perfume"...These are The Bands of New York.  Everything else will follow.

Add a comment Comments (13)

jordan
good stuff:

It warms my heart to know that there's still a vibrant music scene, even when clubs are turned into shops and apartment buildings... I guess in a city like NYC, such a scene will always be there, but will change its face with some regularity. Thanks for posting this.

ACE PRESTON

There are some great young bands out there from all over the world..This is an exciting time in the city but what's even more fascinating are the old bands getting back together again..On July 11-12 there will be the free Genki Shock 2 day concert series at Club Europa in Brooklyn as well as Peter Crowley's July 19 Max's Kansas City reunion at Kenny's Castaway's on Bleeker Street. Billy will be performing the last concert at Shea Stadium July 16...I don't know where I'll be then..but I know I won't be smelling too good.

rpshen
good stuff:

ACE PRESTON, I like this story. It's good stuff. Nice to see that good music still lives somewhere. Thanks for this article and latest update on the NY music scene.

ACE PRESTON

Thank You!!

Rob Peters
good stuff:

Cool article, thanks. How would you characterize the up-and-coming New York sound?

ACE PRESTON

Thanks.. as far as characterizing it..we never considered it Punk Rock or New Wave..though the Ramones created Punk Rock loosely based on the New York Dolls & a faster KISS(Glam Rock) with lesser chords, it was actually "New York Thrash". Some called it "New York Trash". Punk Rock is actually a music moment from England brought over there by Johnny Thunders after he left The NY Dolls and New Wave was the second phase done with synthesizers (The Cars, Elvis Costello etc..). 

Later on Anthrax, another Queens band created "Thrash Metal" which some people confused with Heavy Metal. This was possible due to the introduction of the Charvel & Jackson guitar.

Todays New York sound is a combination of New York Thrash & Thrash Metal as far as the new bands are concerned. 

Rob Peters

Ah, succinctly put. I think I'm a fan of the more cleaned up second wave, although I admit my knowledge of rock history there isn't very deep. Do you consider The National a New York band? I think they're originally from Ohio, but something about them sounds New York-ish to me.

ACE PRESTON

I never heard of them..NY has so many different sounds which actually originate from elsewhere but the trashing sound is purely NY due to the street violence of the 70's..Most of the original NY bands have moved out, faded away, or died. The bands you see today in NYC aren't originally from New York but elsewhere. I guess they made their pilgrimage here after being influenced by the NY Bands of the past who they mistook for native New Yorkers.

Now Ohio has produced some of the greatest New York Bands ever (if u know what I mean). This was due to the economy being in ruins in the late 70's in cities such as Akron, Cleveland, Columbus, Cincinnati etc..after most of the jobs left...it caused the emotional impact which creates true artistic expression..This point was actually noted to me by my former lead guitarist Lee Harrison from the bands The Sorcerers, War Zone, No Doze etc..once a roadie for Johnny Thunders..As far as Ohio is concerned it produced some of the greatest bands in Rock & Roll history to include The Pretenders, Devo..especially Mark Motherbaugh, The Dead Boys..especially my boys Cheetah Chrome and god rest his soul, my main man, Stiv Bator who created The Lords of the New Church!! CLEVELAND ROCKS!! We don't need Ian Hunter from Mott the Hoople to tell us that. I think the movie "Light of Day" featuring Joan Jett & Michael J. Fox did an excellent job. There is no other place better suited for the Rock & Roll Hall of Fame/Museum. I'm glad it's there.


Joan Ark

I dont know if I would agree that the "Clash at Bonds killed Punk."  The Clash were destined to become successful because of their talent and if you want to label it"punk" I guess you have to have some label to associate or differentiate the music coming out of the scene. The aggressive and often violent and unecessary antics that went on within some of the bands and audiences became ridiculous and really ended it. Read,"Please Kill Me" by Leggs Mcneil. I recall the music in New York being known as "New York Rock."   I also would not label Kiss "Glam Rock," just because they wore makeup(yes, they probably copied Glam Rockers) but they were not "Glam," 

ACE PRESTON

Moshing was definitely one thing that ended the live scene. Also bands getting spat at was bad enough. When I was with Stiv Bator, years after the Dead Boys, when he formed The Lords of the New Church, someone out of the blue just spat at him on stage. He looked around like why is this shit still going on especially with an era that became aware of communical diseases such as AIDS, Hepatitis etc.

I was in the scene in more ways than one. When Eric Carr told me he joined KISS and my boy Dave Spitz joined Black Sabbath, I asked them why would they do something like that. My friend Joe Blaney recorded the Clash..Joe Strummer became a jerk after he reached world wide fame..he was just another phoney..I don't know if you knew any of these people or spent private time with them or knew the true disgusting junkies that they really were. Talent has nothing to do with success.


Joan Ark

I spent time with plenty rockers of that era. I watched some talented musicians turn into junkies, and watched some who never succumbed it. Funny, because the ones who stayed straight are still around playing their music that they love. Unfortunately some who got off the stuff died late from heart(Jerry Nolan, Joe Strummer). Then you have guys like Arthur Kane, Johhny Ramone, who were straight, but they died of some form of cancer.  

Paschen
good stuff:

ACE PRESTON, I like this story. It's good stuff.

Nice to know! My check it out some day!

ACE PRESTON

Thank you..

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June 27, 2008 at 03:08 am by ACE PRESTON, 760 views, 13 comments

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