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Confounding the Interpretation of Marshall McLuhan
“The medium is the message is a phrase coined by Marshall McLuhan meaning that the form of a medium embeds itself in the message, creating a symbiotic relationship by which the medium influences how the message is perceived. The phrase was introduced in his most widely known book, Understanding Media: The Extensions of Man, published in 1964. McLuhan proposes that media itself, not the content it carries, should be the focus of study. He said that a medium affects the society in which it plays a role not only by the content delivered over the medium, but also by the characteristics of the medium itself.” WikipediaWhen I pondered the question, what does it mean, aloud, an artist responded, “The answer is self-evident isn’t it?” Well, no it is not.
I was having a discussion about art with fellow NowPublic member whom I shall call the artist from Clearlake. She copies Georgia O’Keefe and Vincent Van Gogh paintings and her interpretations are in a different medium and are her own expression. Yes, that is new art, we agree. The medium and the artist’s use of it are new and different.
My brother, Tim George, Mr. Etch-a-Sketch, employs the Etch-a-Sketch children’s’ toy to produce sketches. Sometimes he sketches birds, and other times he produces portraits. Recently, he produced portraits of all of the Presidents of the USA. Almost always, he uses other portraits and photographs as reference material as most often his subjects are dead. In the end, the product is surely his own creation.
What does it mean? The Etch-a-sketch used to produce sketches is the message? While my brother’s artwork is profoundly different, I am still uncertain about the relevance of McLuhan to understanding or appreciating the product for what it is.
YJ
Mr. Etch A Sketch
With a Toy, Tim George Can Create Amazing Lasting Images
Wednesday, October 24, 2007
Some artists paint on canvas. Others make sculptures using clay. Tim George uses an Etch A Sketch.
He started 19 years ago when his daughter was in the hospital. To amuse her and pass the time, George got an Etch A Sketch.
As anyone who has ever tried to create a masterpiece on the popular toy knows, getting the squiggly lines exactly where you want them is quite a trick.
At first, George worked on simple shapes: squares, triangles and, later, circles. Then he began copying cartoon characters such as Charlie Brown and Garfield. Learning how to create shading and texture came last.
Once he had all that down, he began drawing animals. He started with a zebra. "I thought, black and white, that ought to be pretty neat," he said.
Eventually he worked his way up to drawing elephants, his daughter's favorite animal.
George, 56, faces a challenge that most other artists don't. If he messes up, he can't just paint over his mistake. He either has to work it into his drawing or shake the Etch A Sketch screen and start over.
"It depends on how big the error is," he said. "There is no selective erasing."
How It Works
Inside an Etch A Sketch are plastic beads and an aluminum powder that clings to the screen because of static electricity. A point, called a stylus, moves on two rods. When you turn the dials on the front of the Etch A Sketch, one rod moves up and down, the other one goes right and left. The moving stylus scrapes off the powder, creating what seem to be black lines. What you're actually seeing is the darkness inside the case.
When you shake an Etch A Sketch, the aluminum powder starts clinging to the screen again.
For a long time George didn't have a way to make his drawings last. Sometimes when he was taking his etchings to show at schools, he'd hit a bump in the road and lose part of his hard work.
He decided that the only way to protect his work would be to remove the aluminum powder that wasn't sticking to the screen. First he tried drilling a hole in the plastic case. But he wasn't able to remove all the extra powder. Ohio Art, the company that makes the toy, heard about his problem and sent him some Etch A Sketches with backs that could be removed easily, making it less difficult to clean the insides. How He Does It George researches his subjects at the library before he starts. If he plans to draw a building or monument, he might photograph it from different angles until he gets an image he can use as a guide while he draws. Depending on the difficulty of the subject, he spends three to 15 hours on each drawing. His sketches have been featured in children's museums, art galleries, an Etch A Sketch calendar and a book. George works full time as a security officer for a company in Columbus, Ohio. Sketching is his hobby, and he loves to talk about it on visits to schools, hospitals and senior centers. "A lot of people know me as Mr. Etch A Sketch," he said proudly. -- Amy Orndorff






Most RecentMost Recommended Comments (3)
at 17:09 on November 22nd, 2009
Thank you YJ for yet another interesting topic on creativity.
What does it mean? The Etch-a-sketch used to produce sketches is the message? While my brother’s artwork is profoundly different, I am still uncertain about the relevance of McLuhan to understanding or appreciating the product for what it is.
I am somwhat familiar with marshall McLuhan's book and his coining the phrase "the medium is the message," and its examination of print media through active pariticpation and engagement of the senses. When listening to the radio, for example, hearing and visualization are required and these skills are honed; however, watching a movie is passive and only vision is required so active participation is limited. Reading involves sight, imagination, and visualization; thus, its social effect is more intense and strengthens the intellect, so its the action of reading, not what is being read that has significance.
He also advanced the theory of the "global village" where he predicted the advent of the internet. Electronic media has to a degree replaced hardcopy media, but in a sense the delivery system to our brain by print is in many ways the same, except in the tactile sense. The time used or personal space is generally the same.
But how does this relate to the Creative Arts: Writing, painting, drawing--Etch a Sketch--, sculpting, dancing, building, singing, dramatic arts, etc. when creator is the medium? What is the the social effect here? "McLuhan adopted the term 'massage' to denote the effect each medium as on the human sensorium, taking inventory of the 'effects' of numberous media in terms of how they 'massage' the human senses." In Art there is a connection between the creator and viewer, whether they are listening; watching; or reading, in so much as the creator attempts to invite an emotional bonding. The social effects and participation here can be intensely personal and responsive to the medium who is a person using their Art to convey a message no matter what it is.
The degree of social effect is related to the creator and their abilities in a particular art form A symphonic orchestra is made up of individual instruments who play their indivudal parts, but the conductor is the medium through which they all perform as one unit of musical perfection. The musical message cannot be actualized without the conductor who is the sensory conduit for all the muscians in a unifying orchestral voice. In painting, the creator uses their materials in concert to create an image, without the creator there can be no social effect or degree of participation. We are not required to understand a creators methods, but we do respond to what they do to our senses.
at 17:43 on November 22nd, 2009
Well that is a magnificant description. While I am on a roll, unveiling various art forms in which I am involved, check out the Pochontas play that I posted as a public test during the most relevant holiday season. Try it out.
YJ
at 18:08 on November 22nd, 2009
Thanks YJ