Kennedy Center: 'Crisis' Counselor for the arts

by Maireid Sullivan | February 4, 2009 at 11:32 am
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The Kennedy Center has launched an initiative to help struggling arts groups. The program, Arts in Crisis: A Kennedy Center Initiative, is an online support service through which arts administrators can have confidential discussions with members of the center's executive staff about how to stay afloat during the recession....

It is sad indeed to know that the artists who give themselves wholeheartedly to their art and to serving their community will struggle even more during this needless land speculation driven recession. The Global Arts Collective (GAC) is a global community without borders, committed to collaboration in creative initiatives that play a role in preserving heritage and stimulating cultural vitality and diversity for a just and peaceful world. When you visit GAC, be sure to turn your speakers on to hear the music.

By Jacqueline Trescott –
Washington Post Staff Writer –
Wednesday, February 4, 2009–

The Kennedy Center is aggressively moving to broaden its role beyond a center for the performing arts by announcing a new program to share its years of management and fundraising experience with struggling arts groups across the country.

The national tentacles of the Kennedy Center have always been far-reaching: It sends two family plays nationwide each year, offers a performing-arts education Web site that gets 4.2 million visitors a year and sponsors eight annual college theater festivals and a national competition in Washington. But the center's latest move, announced yesterday, positions it as a national resource beyond the stage.


"Arts in Crisis: A Kennedy Center Initiative" is a high-tech support service through which arts administrators can talk to the center's personnel about the challenges of shrinking income, budget-conscious audiences and other difficulties in keeping the doors open.

The program's Web site explains the center's stepped-up agenda. The consulting, it says, will provide information "pertinent to maintaining a vital performing arts organization during a troubled economy." Assistance will be provided through e-mails, telephone calls, Web chats or site visits.

"This is the first time we are saying to any organization, 'We are there to help,' " said Michael M. Kaiser, the center's president. "We have never reached out to everyone."

"Crisis" is not too harsh a word, he said. "You see this multiple whammy. The length and depth of this economic downturn is unprecedented in my lifetime," the 55-year-old administrator said.

The need to have a central place for strategic advice, and perhaps a word of comfort, has been building. "Over the last six months, we have gotten e-mails and letters from many groups. Now every single day you read about one or more than one that is cutting back their season or reducing the staff," said Kaiser, who recently published "The Art of the Turnaround: Creating and Maintaining Healthy Arts Organizations."

Any arts organization that is nonprofit -- which usually covers orchestras, dance troupes and theaters -- can sign up for free assistance. Over the eight years since Kaiser took over the Kennedy Center, it has built a reservoir of information about how groups have managed their successes and failures through a half-dozen programs.

"Organizations that have endowments have seen them cut by one-third," Kaiser said. "In cities like Detroit that are so dependent on the auto industry, the money is gone. Foundations are forced to cut back, and individuals have seen their wealth reduced. People are buying their tickets more selectively, and they are not going out as often."

In recent weeks, organizations from almost every part of the country have reported belt-tightening measures, or worse. The Baltimore Opera Company filed for bankruptcy. The Seattle Repertory Theatre asked its staff of 55 to take two weeks of unpaid leave. The Orlando Ballet cut live music for "The Nutcracker" so the dance troupe wouldn't be reduced. The Santa Clarita Symphony in California canceled its season.


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Paschen

Wile the initiative of the Kennedy centre is commendable and even though I appreciate art and know its importance to a society I do not embrace the believe that all Artist give them self wholeheartedly either, some made great profits especially those that are being shown in art Galleries today and among the living. The real Artist whose art actually reflects our time and reality are for the most part not even known today and will end up like Van Gogh rather then Dali. It may be time to help harvest potato's and get once hand dirty facing reality. The muses are luxuries and hobbies, they do not feed the World. First we need to warrant that all have bread and shelter as well as healthcare and education. Then we may relish in the luxuries of Philosophy, Art and Leisure. Yet I agree we have to save and maintain the patrimoine. 

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Maireid Sullivan

I understand what you are saying, Uwe.

I'm not referring to the film or pop music industry, - actors and musicians who earn millions - or  heavily endowed arts establishments, such as the MET, which could afford 45 million for a Duccio painting.

I was thinking of the individual big-hearted arts practitioner who loves to interact with others through their art– embracing and energizing their community.  This is a vocation. Those who think this is a hobby simply 'don't get it' - and they miss out on the energizing, life-renewing joy of reciprocation.

The Kennedy Center is providing resources directly to living artists, rather than spending their funds on collecting art by long-gone artists. This is good news!

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Paschen
First Flagged at 8:07 PM, Feb 4, 2009 by Paschen
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