Why I'm Boycotting The Emmys®

by adrienneanderson | August 6, 2008 at 12:12 pm
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Why I'm Boycotting The Emmys®

Why I'm Boycotting The Emmys®

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It was such an ugly demise to an intense drama set on Baltimore, Maryland's tough, inner-city streets –and, no, I’m not talking about the shocking deaths of two of Baltimore's most notorious criminals. I’m talking about the ugly, dismissive and undeserving omission of HBO’s incredibly taut series, The Wire, from 60th Primetime Emmy® Award nominations!

The Emmy® Awards recognize and celebrate supposedly outstanding television and cable series in the United States, and to be recognized the award means increased revenue for your program, possible syndication, and more advertisers. It's also an awards show that shows who's "in" and who's "out" in American television, regardless of the quality of your show. If The Emmy® nominations are any indication of how The Wire's creators' peers feel about them, then it's auf wiedersehen for any future options for film, spin-offs, or other syndication beyond markets that cater to a decidedly urban audience. 

The First Cut is the Deepest

On July 17th, 2008, the 60th Primetime Emmy® Award nominations were announced by the Academy of Television Arts & Sciences from the Leonard H. Goldenson Theatre, North Hollywood, California. Sadly, The Wire only receive one nomination (David Simon and Ed Burns for Outstanding Writing For A Drama Series). Not one actor on The Wire (or other cast/production staffer, for that matter) received a nomination!

No nominations for such memorable characters as Det. Shakima “Kima” Greggs (Sonja Sohn), Omar (Michael K. Williams), Avon Barksdale (Wood Harris), Snoop (Felicia Pearson), Det. William “Bunk” Moreland (Wendell Pierce), Officer James “Jimmy” McNulty (Dominic West), and the fabulous Stringer Bell (played by Idris Alba).

Diverse Cast

Dare I also mention that The Wire had one of the most realistic and diverse casts on television since Roots? Yup; there, I said it. I haven’t seen this many Black folks working since The Dave Chapelle Show, and they weren’t all “cooned” up like in most crime series.

The characters on The Wire were believably flawed, where the line between “them and us” was blurry and malleable. Sometimes “good” characters made bad decisions, and bad characters seemed touched by angels.

But of course, you’ll never get that type of performance from say, an episode of Grey’s Anatomy…but who’s watching, right?

HBO hasn’t delivered a series as imaginative and well-written since The Wire tried to wrestle viewers from grieving fans of The Sopranos. It was always the underdog; The Wire never had a chance of survival, but it was a scrapper. It struggled despite gushing reviews by such television reviewers as The San Francisco Chronicle's Tim Goodman, who applauded it as, "(T)he best series ever made for television."

Keeping It Real

HBO stuck it out long enough for critics and a few surprised viewers (who stumbled upon it) to get hooked. Written by Ed Burns, a former cop and inner-city teacher, and ex-journalist David Simon, The Wire was truly authentic. It was written by people who had "been there"; not by some cocaine-addled, Hollywood desk jockey whose only concern is how much advertising money there is in a program’s “authenticity.” Yes, The Wire presented the occasional crack-whores, or an over abundance of extras portraying dope addicts, as well as, crooked cops with borderline personality disorders, but, oddly, not one of these characters ever felt out of place. Oddly…

If a viewer were to watch an average, American network television cop show, they would either retreat further into their antiseptic suburban world, or they would clutch their purse a little tighter on the bus to work. Network shows –and some cable shows– present the same, dried out, stereotypical criminals, with the same bad haircuts. (Apparently bad barbershops are “hot” in criminal areas because everyone has some version of a pompadour, mullet or rusty ‘fro…)

While watching The Wire, you actually believed the characters were real people, no matter how flawed, and no matter how untouchable. I never got that feeling from watching a show like CBS's “The Unit,” or one of the umpteen “Law & Order” franchises on NBC.

Unfortunately, all of that brilliant writing, acting and directing couldn’t get more than one nomination from the Emmys® and from their voting peers! What may have also hindered The Wire from a wider audience is that the nuanced backstories were lost on the average viewer, and that may have turned them off. For those of us who did follow it, it was intoxicating!

The plots weren’t simple, easily digestible bits of a whole. Each episode of The Wire was a Greek tragedy, sweeping into a larger epic of heroes, oracles, warriors, and villains, with the ever looming presence of the Underworld and Mount Olympus.

But apparently, that can’t get you an Emmy® nod either…but Dancing with the Stars is well represented. I’m just sayin’…

Don’t get me wrong, I love shows like 30 Rock and Mad Men (and they’ve got nominations coming out the hoo-ha), but that doesn’t serve as a healing balm when The Wire was so obviously overlooked.

Alas, to make matters worse, March 9th, 2008, marked the final episode of The Wire.

Let's Get it Started

In protest to the insulting lack of Emmy® nominations for The Wire, I'm making a decision to protest the Emmys®. No viewers, no ratings. Of course, my one little absentee blip from the Nielsen Ratings won't matter a bit...but if other viewers join in, well then, we've got a voice.

Apparently, a lack of an audience is what makes the film and television industry tick: i.e., don’t patronize their product, and the advertisers don’t buy their product.

If you'd like to offer your own little mini-protest, then please celebrate September 21, 2008, with your friends, colleagues and drinking buddies, as The Wire Recognition Day!

You can sign a petition declaring September 21, 2008 as The Wire Recognition Day, or find party ideas at The Wire Was Robbed!

Cheers!

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Karen Hatter
Karen Hatter
flagged this story as Good Stuff

at 18:35 on August 6th, 2008

A very well written piece, Adrienneanderson. I'm surprised at the almost 'shut out' as well.

tiha zaman
tiha zaman
flagged this story as Good Stuff

at 07:15 on August 7th, 2008

adrienneanderson, I like this story. Great post, very well written. Cheers

0
Marianne Matheny-Katz

I agree wholehaeartedly. The Wire was beyond being the best show ever on TV - there will never be anything this poignantly truthful again.  It was Shakespeare, Tolstoy and Greek Tragedy rolled into one. I honestly thought the Emmy's would be embarrassed to overlook it this year.  They could have even created a special category or award for it.  The Wire made you care about people who are marginalized or vilified by our increasingly polarized society. Michael K Williams, Wendell Pierce, Idris Elba, Dominic West and Sonya Sohn  (and the list goes on) all gave such brilliant and complex performances.... you CARED about them. The young men in Season 4 tore my heart out.  I will miss The Wire in a way that I have never missed a TV show and I am outraged that the Emmy system is too shallow and squeamish to reward the show’s unflinching portrayal of our nation’s darkest and most painful urban truths. 

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