The Show Musn't Go On: Broadway Strike Continues in NYC

by Kaitlin | November 19, 2007 at 10:47 am
637 views | 3 Recommendations | 2 comments

Photos

UPDATE, 11/29/07: The producers and the stagehands unions have come to a tentative agreement after two full days of negotiations. According to several news sources, the only remaining point to be discussed is salary. As the union agreed to reduce the restrictions on producers that required them to hire numerous stagehands, the union in turn is seeking wage enhancements to make up for the change. 

Lineups for tickets to shows are already wrapping blocks up and down Broadway. 

UPDATE: During my hunt for photos of the strike, I came across great black and white photos of a few actors on the line. I recognized these actors as Rufus Sewell and Sinead Cusack, stars of the new play Rock 'n' Roll by Tom Stoppard. The photographer, who signed on to NowPublic as NYCEnfantTerrible, also sent me the following message:

"I am an actor currently doing Tom Stoppard's "Rock N Roll". It's an
interesting irony that this strike should happen during this show's run
as one of the themes of the play is that workers should own the means
of production. It's hard on us actors, as we've taken massive pay cuts
(80% or more) to support Local One. However, we DO support them.
Broadway is a Billion Dollar industry now. The Producers want to cut
down on costs, but those savings aren't going to be passed on to the
public in lower ticket prices. They are going directly into the
producers pockets. The Actor's contracts are the next to be negotiated.
If we don't support Local One in this we will be the next ones that are
screwed by the greed of the producers. On a side note. No one has
mentioned that Local One has been in existence for 120+ years. In all
of that time this is the FIRST time they've ever gone on strike.

Thanks for reporting on this..."

More information about Tom Stoppard's new play Rock 'n' Roll can be found at www.rocknrolltheplay.com
____________

New York's Broadway strike continues after talks broke down between the stagehands union (Local One of the International Alliance of Theatrical Stage Employees) and the producers once more on Sunday night. The Local One strike, along with the television writers' strike is putting a lot of economic pressure on the city for the early holiday season. It's a complex issue, one that's been building for months:

The two sides have been in contentious negotiations for more than three months. Much of their disagreements involve work rules and staffing requirements, particularly rules governing the expensive process of loading in and setting up a show. The producers want more flexibility in hiring; the stagehands don’t want to give up what they say are hard-won benefits without something in return.
The strike continued into Thanksgiving weekend, which typically sees the highest ticket sales on Broadway all year. The Gothamist estimates that the city loses about $2 million per day during the strike, something that will continue at least until November 25th, according to a statement by the producers.

So, who is in the right, here? Like many complex labour disputes, it's hard to say:
"The first show they chose to strike was How the Grinch Stole Christmas," St. Martin said. "And we realized that it was just very appropriate that that's the first one that they would do it for, because they are like the Grinch, stealing the magic of Broadway to all the children and families who are here to see Broadway shows and to kick off their holiday season."
At a press conference the following day, Local One president James J. Claffey, Jr. said that the union had already made compromises and maintained, "We're not going back to the table with that lack of respect." Claffey particularly objected to references to "featherbedding," a term denoting the use of more union workers than producers consider necessary. The League had proposed wage increases, but Claffey has countered that the flexibility sought by producers would allow no way of accounting for lost work.
Several new shows have had to suspend their openings in view of the strike, and others with limited runs (or those struggling to pick up views) now face possible shut down. Here's hoping the strike is soon resolved favourably for all parties, though that hardly looks like the case.
The stagehands took to the picket lines on November 10th after working without a contract since July; producers are demanding changes to the number of stagehands they’re required to hire, among other things. Sadly, one stagehand who won’t see the strike’s end is Frank Lavaia, a 57-year-old prop master who died from a heart attack on The Lion King picket line Friday night; a memorial service was held at the theater’s stage door Saturday night.
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Brian A Kennedy
Brian A Kennedy
flagged this story as Good Stuff

at 09:40 on November 20th, 2007

Kaitlin, great roundup and great photos. This is going to cost NYC some big bucks...

0
Jordan Yerman

It's a turning points of sorts for The Industry, both in terms of theatre and film/television. Those who actually create the product are beginning to realize how much they're worth. Those on strike are hurting for sure, but the fear of that short-term hurt has keep the status quo in place since time out of mind. This has been a long time coming, in my opinion.

This story was created over 3 months ago, the comment thread is now closed.

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Brian A Kennedy
First Flagged at 9:40 AM, Nov 20, 2007 by Brian A Kennedy
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