Imagine Mahmoud Ahmadinejad Exhibit like Hitler’s

“Mahmoud Ahmadinejad (Persian: محمود احمدی‌نژاد Mahmūd Ahmadinezhād [mæhˈmuːd(-e) æhmædiːneˈʒɒːd]  ( listen),[2][3][4] English: /ɑːməˈdɪnɨʒɒd/ ah-mə-DIN-i-zhod; born 28 October 1956[5][6]) is the sixth and current President of the Islamic Republic of Iran, and the main political leader of the Alliance of Builders of Islamic Iran, a coalition of conservative political groups in the country. An engineer and teacher from a poor background,[7] Ahmadinejad joined the Office for Strengthening Unity[8] after the Islamic Revolution. Appointed a provincial governor, he was removed after the election of President Mohammad Khatami and returned to teaching.[9] Tehran's council elected him mayor in 2003.[10] He took a religious hard-line, reversing reforms of previous moderate mayors.[11] His 2005 presidential campaign, supported by the Alliance of Builders of Islamic Iran, garnered 62% of the runoff election votes, and he became President on 3 August 2005.[12][13]

Ahmadinejad is a controversial figure both within Iran and internationally. He has been criticized domestically for his economic lapses and disregard for human rights. He launched a gas rationing plan in 2007 to reduce the country's fuel consumption, and cut the interest rates private and public banking facilities could charge.[14][15][16] He supports Iran's nuclear energy program. His election to a second term in 2009 was widely disputed and caused widespread protests domestically and drew significant international criticism.[17] Major opposition parties,[18] traditional clerical circles[19] and influential Iranian politicians questioned the legitimacy of his presidency.

Ahmadinejad is an outspoken critic of the United States, Israel, and United Kingdom.[20][21] He abides by Iran's long-standing policy of refusing to recognize Israel as a legitimate nation or as representative of the region's population.[22]”

 “Hitler Exhibit Explores a Wider Circle of Guilt

BERLIN — As artifacts go, they are mere trinkets — an old purse, playing cards, a lantern. Even the display that caused the crowds to stop and stare is a simple embroidered tapestry, stitched by village women.

But the exhibits that opened Friday at the German Historical Museum are intentionally prosaic: they emphasize the everyday way that ordinary Germans once accepted, and often celebrated, Hitler.

The household items had Nazi logos and colors. The tapestry, a tribute to the union of church, state and party, was woven by a church congregation at the behest of their priest.

“This is what we call self-mobilization of society,” said Hans-Ulrich Thamer, one of three curators to assemble the exhibit at the German Historical Museum. “As a person, Hitler was a very ordinary man. He was nothing without the people.”

This show, “Hitler and the Germans: Nation and Crime,” opened Friday. It was billed as the first in Germany since the end of World War II to focus exclusively on Adolf Hitler. Germany outlaws public displays of some Nazi symbols, and the curators took care to avoid showing items that appeared to glorify Hitler. His uniforms, for example, remained in storage.

Instead, the show focuses on the society that nurtured and empowered him. It is not the first time historians have argued that Hitler did not corral the Germans as much as the Germans elevated Hitler. But one curator said the message was arguably more vital for Germany now than at any time in the past six decades, as rising nationalism, more open hostility to immigrants and a generational disconnect from the events of the Nazi era have older Germans concerned about repeating the past.

“The only hope for stopping extremists is to isolate them from society so that they are separated, so they do not have a relationship with the bourgeoisie and the other classes,” Mr. Thamer said. “The Nazis were members of high society. This was the dangerous moment.”